I Need My Girl - The National
Thursday, 27 February 2014
Sunday, 23 February 2014
Album review: Dialects - Snowmine
9/10
Brooklyn five-piece, Snowmine, have triumphed with the release of their new album, 'Dialects'. Recorded in a church, the tracks on the album have a fresh and expansive sound that seems very organic - the band pride themselves on the lack of borrowed samples; everything has been written and recorded by them, and it has paid off.
Across the album, the vocals are reminiscent of Vampire Weekend, but the comparisons end there, for the song are unique in their arrangements of orchestral instruments. With strings and clarinets, the sound is rich and vibrant - opening track, 'To Hold An Ocean' is added to by the sound effects of a gently lapping ocean. Each song on the album seamlessly flows into the next, meaning a unified sound spans the record.
'Columbus' is perhaps the most exciting song on the album. The melodic vocals are wonderfully contrasted with a thumping drumbeat and a jangling bassline. It's certainly a colourful track, with a lot going on. However, the various strands all fit neatly together, proving that the band are accomplished musicians. This is even more evident on 'Safety in a Open Mind', a purely instrumental track that is the perfect mix of electronic beats layered with flutes.
The album is perfectly produced, with recurring instruments providing overarching musical themes across the whole record. However, this isn't to say that the tracks are repetitive. Each individual track is a masterpiece, meaning 'Dialects' is safely one of the best albums of 2014 so far.
The album is perfectly produced, with recurring instruments providing overarching musical themes across the whole record. However, this isn't to say that the tracks are repetitive. Each individual track is a masterpiece, meaning 'Dialects' is safely one of the best albums of 2014 so far.
Monday, 17 February 2014
Sunday, 9 February 2014
Live video: Whispered Half Asleep - Toliesel
Recorded at Studio Focus, a wonderful live video for Toliesel's 'Whispered Half Asleep' has surfaced on the internet, which showcases the band's extraordinary sound. In a live setting, the song is a powerful and exhilarating listen, with rich layers of guitars and drums. A dreamy sounding introduction is a nice addition to the recorded version taken from the band's Contours EP, released last September and reviewed on NotAnotherRainySunday here.
Labels:
Music
Sunday, 2 February 2014
Thursday, 16 January 2014
Single review: Hengelo - Spring Offensive
10/10
Whilst fans eagerly await the release of Spring Offensive's debut album, Young Animal Hearts, the band have released Hengelo, a mesmerising song that manages to be both energetic and reflective - Spring Offensive's trademark. The jangling bass-line provides a fast pace to the song, but the intensity of the music is wonderfully contrasted with melancholic lyrics.
Inspired by the story of Hengelo's "Forest Boy", lead-singer, Lucas Whitworth, sings of the feeling of being lost. 'I'm at the gates, I wait in hope, frozen by the Eastern cold. I was in Berlin, I was on my own.' The lyrics are simple, and yet filled with emotion - when Whitworth sings, as much is conveyed in his voice as in the lyrics.
The song as a whole is beautifully thought-provoking, and hints at the treats to come on their album. If Hengelo is anything to go by, Young Animal Hearts should show Spring Offensive to be worthy of more attention than they currently receive.
Spring Offensive will play at the Hoxton Square Bar & Kitchen on 24th April. For more information visit http://springoffensive.co.uk/
Read NotAnotherRainySunday's interview with Spring Offensive here.
Sunday, 12 January 2014
Tuesday, 31 December 2013
Top 10 albums of 2013
Following on from the success of their 2011 record, Bliss
Release, Cloud Control have returned with another glorious pop album. Released
in September, the album was the perfect soundtrack to late summer, with hazy
guitars and synths. Although the sound is much the same as their first album,
it's a formula that works - vibrant but laid-back music that is distinctly
'Cloud Control'.
With a much heavier and richer guitar sound than many of the
albums on the list, Holy Fire is easily one of the most gritty albums of the
year, making for an exciting sound - a progression from their earlier albums
with catchier melodies, whilst still retaining a rawness that has become their
trademark.
The dancing in the music video for Flexxin should give a
clue to the pulsing rhythms that drive the songs on the album. Hailing from
Manchester, the band has branched out from the guitar rock with which the city
has become so associated, instead creating a niche for themselves - violins
intertwine with xylophones in unusual time signatures.
Recorded in Reykjavik with Icelandic electronic musician,
Birgir Þórarinsson, John Grant's second album has a melancholic vibe to it.
Grant's voice is beautifully melodic, seeming to sincerely believes every word
he sings. With wonderful string sections the album sounds hugely atmospheric - one
can hear the influence the Icelandic landscape has had on him, particularly on
Glacier.
The fourth album from Sweet Baboo (AKA Stephen Black), Ships
is a charming record with simple, catchy melodies. With jangling guitars and
trumpets, it's a triumphant sounding album that has been a firm favourite
throughout the summer months. Despite the morbid title of If I Died..., it's a
wonderfully quirky tune with a sense of fun that is carried across the whole
album.
A joint collaboration between musicians from London and
Nairobi, Power Punch has a sound that encompasses the best of British pop and
rhythmic Kenyan beats. The brainchild of musicians in electronic hip-hop
collective, Elmore Judd, it's clear that electronic music has very much
remained an influence in the album. The fusion of the two cultures brings
refreshing sounds to the album, and sets the group out to be one to watch in
2014.
Villagers’ second album, {Awayland}, is a clear progression
from their debut. Although some critics disliked the fact they’ve departed from
their acoustic roots, there’s definitely a grittier edge to the album which
makes them seem wiser – perhaps the result of months on the road, touring.
Stand-out track, Nothing Arrived, sounds fresh amongst the more electronic
tracks on the album, with bluesy piano chords wonderfully contrasting with the
crisp clarity of lead singer Conor O’Brien’s voice.
Alongside the line-up
changing, The Epstein's original country vibe has also greatly evolved over the past few years, and in Murmurations, has found a new sense of sophistication.
The tracks are refined whilst still retaining a slight rock'n'roll edge,
showing that the band have truly found a niche for their music.
Sonically, Tales From Terra Firma is far removed from
Beachomber's Windowsill, with a more poppish sound, but, much like their first,
the album is full of maritime imagery – ironic for a band from Oxford, one of
the furthest points from the sea in Britain. Recorded in old churches and a garage, Tales From Terra Firma is
wonderfully rustic, with little quirks throughout that showcase the band’s
extraordinary musical talent – a spoon solo features in Knock Me On The Head.
The explosive second album from Everything Everything is one
of the most vibrant to hit the Mancunian music scene in a long time. With its
pulsing drum beats and jangling basslines, the album is an exhilarating listen,
and the almost chant like quality to the vocals provides a unique sound which
makes Everything Everything one of the most exciting bands of the year.
Saturday, 28 December 2013
Top 10 Singles of 2013
10. Peace - Vieux Farka Touré
9. So Good At Being In Trouble - Unknown Mortal Orchestra
8. 22 - Night Beds
7. Calling Out Your Name - The Epstein
6. Harpoon Land - Owiny Sigoma Band
5. Knock Me On The Head - Stornoway
4. Song For Zula- Phosphorescent
3. Flexxin - Dutch Uncles
2. Don't Try - Everything Everything
1. Reflektor - Arcade Fire
9. So Good At Being In Trouble - Unknown Mortal Orchestra
8. 22 - Night Beds
7. Calling Out Your Name - The Epstein
6. Harpoon Land - Owiny Sigoma Band
5. Knock Me On The Head - Stornoway
4. Song For Zula- Phosphorescent
3. Flexxin - Dutch Uncles
2. Don't Try - Everything Everything
1. Reflektor - Arcade Fire
Monday, 16 December 2013
Review: For Folk's Sake Christmas Compilation
It’s now just over a
week until Christmas day, but December has already brought many treats - the
smell of mince pies and mulled wine, the need for a roaring log fire, and the
annual For Folk’s Sake Christmas compilation. Of course, the world is not short
of festive tunes, and I’m the first to admit that when it comes to Christmas,
my music taste tends to deteriorate – a tinsel length of Wham never hurt
anyone. Despite this confession, I’m still able to know good music when I hear
it, and this compilation includes much of just that.
A mixture of covers and original songs, the album is a whole
stocking worth of treats, with an eclectic range of sounds from the dulcet
piano melodies of Howard Carter’s Adagio from Corelli’s Christmas Concerto, to
Emperor Yes’ ‘Time Frog 4000’, a bizarre track, which sounds like it’s been
composed by a psychedelic Santa after one too many.
Sophie Jamieson’s version of ‘The First Noel’ has a Beth
Jeans Houghton vibe to it, with aptly angelic vocals. Laish’s rendition of
‘Silent Night’ gives a more pessimistic view of the Christmas season with the
lyrics, ‘Bitter winter has taken your cheer, tiresome company spoilt your
beer’. One of my favourite carols, ‘Coventry Carol’ has been beautifully
reinterpreted by Inti Rowland to have an almost Hispanic feel to it,
accompanied by a simple but powerful guitar.
As for original songs, Dark Dark Dark’s ‘Winter Coat’ is a
haunting number with its piano accordion accompaniment, and intertwining male
and female vocals. Much like Jens Lekman, Joe Innes & the Cavalcade have
the perfect dose of whimsical lyrics and catchy melodies in ‘Santa Says Relax’,
before slipping into a short rendition of ‘Santa Baby’.
All the very best Christmas songs contain sumptuous vocal
harmonies and twinkling piano riffs, and ‘Christmas All The Time’ by Pollyanna
Band ticks all the boxes, sounding like it should be on the Love Actually
soundtrack - no bad thing in my book.
Stornoway’s ‘Gondwanaland’ seems less overtly Christmassy than the other
tracks, but with references to ‘silent snow’ and an ‘icy street’ it just about
passes the wintry weather test, and nonetheless its gentle melody provides the
perfect winter evening accompaniment.
With profits from the album going to Medecins Sans
Frontières, this compilation is the perfect gift for this Christmas. You can
buy it now here.
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