EP Review: People We Forget This Is Love - Super Best Friends Club

EP: People We Forget This Is Love

Genre: Physcedelic-pop

Best Track: Evolution

Rating: 8/10

           They always say 'never judge a book by its cover', and in this case, it couldn't be better advice. When Super Best Friends Club's new EP first arrived in my inbox, I expected twee banjos and cutesy airy-fairy vocals, but was in fact pleasantly suprised.

          Opening with Evolution, an exploration into tribal jungle madness,  the trippy physchedelic-pop of the collective immediately draws you in with a jazzy saxophone hook and  infectious drum beat. With frantic electrics and jeering, it's safe to say that Evolution is a track like none other, at times seeming to delve into the depths of a vast abyss of noise, whilst still maintaining its danceable, captivating pulse.

          Sunshine, Super Megatron is more laid-back - a refreshing approach to electro-pop with a poetic rhythm and almost trance-enducing melody; whilst Universe, Universe lets loose with a saxophone part dancing around the crashing piano chords.

         The EP closes with People We Forget This Is Love, a track  reminiscent of of Montreal in how it moves from a gentle melody and guitar to a more intense chorus with full vocals and brass section.

         Although only showcasing four tracks, it's clear that Super Best Friends Club has a lot more to offer than the somewhat weedy name suggests, and I for one am certainly excited to hear more of what the collaborative has in store for the future.

'People We Forget This Is Love' is out now

Visit www.superbestfriendsclub.co.uk for more information

       

I've Been Listening To...

Afterglow - The Crookes

Happy Birthday 6music!

Black Cab Sessions: A New TV Show

Having long been at the forefront (and creme de la creme) of all the 'sessions' videos cropping up on youtube, Black Cab Sessions have taken the USA with their new programme airing on Channel 4 tonight.The infamous black cab will travel around the States, visiting meaningful cities to artists, and bringing the best of the American music scenes to our living rooms.

Black Cab Sessions USA from Black Cab Sessions on Vimeo.

Tune into Channel 4 at 12.10am tonight, or watch the programme on 4OD later

One To Watch: Tom Williams & The Boat

      Folk band, Tom Williams & The Boat, have been raising money for their second album, Teenage Blood, via Pledgemusic, and have finally passed their target. Having self-released their music in the past, the band have teamed up with London record label Moshi Moshi (Bloc Party, Slow Club, Au Revoir Simone) for the album. Although they've already reached their target, you can still pledge, and (hailing from Kent) a portion of the money raised will go towards local charity, Kent Air Ambulance - a very worthy cause.

      Their first single from Teenage Blood,  My Bones' simple melancholy and darkness is breathtaking and an extremely promising introduction to the album which is released on April 16th.

You can download My Bones for free from www.tomwilliamsandtheboat.co.uk and check out the band at  Grey Lady in Tunbridge Wells on March 4th, and The Bull & Gate in London on March 22nd.

I've Been Listening To...

Midnight City - M83

Up and Coming: Django Django

Hailing from Edinburgh, Django Django has just released its eponymous debut album. Despite having been on the music scene for several years, the Scottish lads are only just getting the recognition they deserve. Their psychedelic pop is infectious and perfect for this wintery sunny spell we're experiencing at the moment.

I've Been Listening To...

This Isn't Everything You Are - Snow Patrol

Album Review: Born To Die - Lana Del Rey

Album: Born To Die

Record label: Interscope

Genre: Indie-Pop

For fans of: Ellie Goulding, Marina & The Diamonds

Best Song: Born To Die

Rating: 8/10 

     Since Video Games emerged on the internet last June, the mammoth amount of column inches would have been enough to cause anyone to break down under the pressure of creating perhaps THE album of the decade. With speculations on her millionaire/trailer park background, rather inflated lips, and that Saturday Night Live performance, it's no wonder that there have been mixed reactions to Lana Del Rey's new album, Born To Die. The many comments on her appearance and authenticity seem to somewhat detract from what the most important thing is - the music.

       Many have critiscised LDR for her apparent sugar-sweet innocence, but on the album, her sweet breathy voice seems to sing with a certain wisdom normally reserved for singers with careers spanning whole lifetimes. However we mustn't forget that despite having only been thrown into the public eye in the past year, Lizzy Grant (actual name), has been around on the music scene for a fair while longer, releasing a full length studio album back in January 2010. Born To Die, certainly seems to suggest a hidden past. Del Rey relates that the title track is about her wilder youth, singing 'come and take a walk on the wild side'. The haunting melancholy alongside soaring violins and a driving drum beat sends shivers up your spine, and the gentle power of the song really stands out on the album.

      Diet Mountain Dew, on the other hand is a far more up tempo track and almost seems reminiscent of Sleigh Bells' Rill Rill, whilst National Anthem sparkles with visions of living the American Dream. Although LDR will most likely never win an award for most inspired lyrics, (yes, 'Money is the reason, we exists. Everybody knows it, it's a fact. Kiss, kiss', I'm looking at you), the beautiful simplicity of the melodies, combined with such a dulcet voice makes for a stunning album.

     Recent reports state that this could be Lana Del Rey's first and only album (as she's so pleased with it), however I sure hope that in the future we see more of her, and perhaps next time her critics won't be so harsh.

 Born To Die is out now on Interscope and Polydor, and for more information, visit: www.lanadelrey.com

I've Been Listening To...

Somebody That I Used To Know - GOTYE

And whilst I'm on this song, check out this video as well, for a pretty awesome cover of it. It's a shame my ukulele is too small to do that...