Sunday, 23 February 2014

Album review: Dialects - Snowmine


Brooklyn five-piece, Snowmine, have triumphed with the release of their new album, 'Dialects'. Recorded in a church, the tracks on the album have a fresh and expansive sound that seems very organic - the band pride themselves on the lack of borrowed samples; everything has been written and recorded by them, and it has paid off. 

Across the album, the vocals are reminiscent of Vampire Weekend, but the comparisons end there, for the song are unique in their arrangements of orchestral instruments. With strings and clarinets, the sound is rich and vibrant - opening track, 'To Hold An Ocean' is added to by the sound effects of a gently lapping ocean. Each song on the album seamlessly flows into the next, meaning a unified sound spans the record. 

'Columbus' is perhaps the most exciting song on the album. The melodic vocals are wonderfully contrasted with a thumping drumbeat and a jangling bassline. It's certainly a colourful track, with a lot going on. However, the various strands all fit neatly together, proving that the band are accomplished musicians. This is even more evident on 'Safety in a Open Mind', a purely instrumental track that is the perfect mix of electronic beats layered with flutes.

The album is perfectly produced, with recurring instruments providing overarching musical themes across the whole record. However, this isn't to say that the tracks are repetitive. Each individual track is a masterpiece, meaning 'Dialects' is safely one of the best albums of 2014 so far.

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