Review: Sofar Sounds Tour - Oxford, 15th November 2013

On the fourth night of its tour, in which 3 up-and-coming bands travelled around the country, the Sofar Sounds team stopped off in Merton College's MCR - a beautiful old room with oak beams which provided a a quirky setting for the evening. With a small audience and banter amongst the bands, the atmosphere had a sense of the informality and intimacy for which Sofar nights are known.

Wolf Alice opened with an acoustic version of 'Fluffy', a beautifully haunting song, freshly interpreted from the studio version. The vocal harmonies carried well in the small room, and the mix of female and male voices created a rich sound despite the lack of amplification. Taken from their new EP, 'Blush' had an elegant simplicity, perfectly suiting relaxed nature of the evening.

Sivu, (the Finish translation for his surname, 'Page') followed with a single acoustic guitar and no accompaniment. He won over the audience not only with his melodious voice, but with his declaration that Oxford is nicer than Cambridge, despite coming from the latter.

Dancing Years are old hands on the Sofar circuit, having played at numerous evenings around the country already. Their set was beautifully gentle, almost like a lullaby, whilst still managing to engage with the audience. Honest and simple, their music provided the perfect send-off into the cold Autumn air outside.

Held in cities all over the world, Sofar nights have become renowned for their unique venues and performances. If you haven't yet attended one, it's worth checking out their website - it's a truly wonderful way of experiencing music without any commercialisation. Not only is it a chance to see bands play in smaller settings than they perhaps are used to, complete strangers are united by a love of music that ensures it's an evening you certainly won't forget.

Introducing: Jordan O'Shea

Perfect Sunday evening listening comes in the form of Oxford's Jordan O'Shea who describes his music as 'music you can escape to'. Gentle and understated, his debut album, Desperation, My Dear, is a wonderful mix of acoustic guitar and melancholic melodies, whilst simple piano riffs anchor each song. The album as a whole is beautifully haunting, almost reminiscent of Bon Iver with breathy vocals and a tender, soothing quality. If you're in a dreamy mood, have a listen on his bandcamp. 

jordanoshea.bandcamp.com

Mini-LP Review: You Don't Know Anything - Stornoway

Mini-LP: You Don't Know Anything

Release date: 11th November 2013

Rating: 9/10

After the success of their sophomore album, Tales From Terra Firma, (reviewed here back in March), Stornoway have returned with a mini-LP of songs which didn't quite  fit the 'mood' of their latest album.

Opener, When You Touch Down From Outer Space, has been a crowd favourite since it started being performed at gigs a few years back, but a studio version hasn't appeared until now. Despite the whimsical talk of 'cyborgs' and 'outer space', the lyrics convey a deeper and more emotional sense of exploration - lead-singer, Brian Briggs, wrote the song after the birth of his first child; singing 'I can't wait to introduce you to your new world', it's a touching ode to new life.

This theme of fresh beginnings is echoed in Waiting On The Clock, focusing on starting university and first love in a 'new found world'. However not everything is new; Stornoway have always found solace in the natural world, and we've come to anticipate this in each new release. 'So superior to beast and bird, drive them out unless they make us richer', Briggs sings on The Sixth Wave, whilst its marching beat could almost make it a Greenpeace anthem.

Tumbling Bay has a romantically nostalgic feel to it with talk of time machines 'to bring back Saturday'. It's a more laid-back vibe, creating the perfect breather in the middle of the album. The song seems to draw to a close, but an unexpected but nonetheless enchanting addition almost acts as a scene change into You Don't Know Anything, a song which has all the usual elements of a great Stornoway number - references to Oxford, vocal harmonies and trumpets. Clockwatching takes an entirely different approach, but is an exhilarating listen with a rather sinister edge to it, whilst Briggs' voice takes on a gruffer tone.

Tales From Terra Firma saw a clear progression from their debut album and again, You Don't Know Anything marks new territory for the band. Whilst these songs may be almost unrecognisable from those on Beachcomber's Windowsill, Stornoway touches still remain with trumpets striking up in triumphant fanfare across the album. It's a dramatic new sound from the band, and perhaps the most exciting one yet.

For more information visit: www.stornoway.eu

You can also read my interviews with Oli Steadman (bassist) and Rob Steadman (drummer)

I've Been Listening To...

Reflektor - Arcade Fire

EP Review: Contours - Toliesel

EP: Contours

Label: One Note Forever Records

Release date: 16th September 2013

Rating: 9/10

Mid-September saw the release of the glorious new EP, Contours, from Oxford's Toliesel.  As the first release for One Note Forever Records, it's a promising start for the label. Having added to their line-up over the past few years to include a new bassist and guitarist, the band have hit the ground running with their catchy hooks and beautiful harmonies.

It's not often that a band manages to produce an EP on which every track is as stunning as the last, but for Toliesel, it doesn't seem to have been difficult. Whispered Half Asleep is a wonderful opener with chilled vibes and crystal-clear vocals. The Light, despite having been around on the internet for a while, is still as exhilarating as on first listening. The Lighthouse is a more paired-back song, with a simple acoustic guitar intro that beautifully contrasts with the power of Jack Olchawski's voice, whilst the strings added later give it richly melancholic undertones. Final song, Brothers, continues this sense of malaise with ghoulish background vocals that gradually build up to create an epic spine-tingling finale.

Contours is unashamedly poppy, and whilst not breaking down any musical barriers, it's a sumptuous sixteen minutes of catchy riffs and jangling basslines. The music is vibrantly colourful, each musical layer melting into the next, creating a rich texture that provides the perfect pick-me-up in this cold weather. Summer may now have passed, but with the release of Contours, Toliesel have provided us with the means to enjoy the sunshine for a little while longer.

Contours is out now. For more information visit:

www.toliesel.com 

I've Been Listening To...

Don't Go - Sarah Lees

I've Been Listening To...

Harpoon Land - Owiny Sigoma Band 

Interview: Sweet Baboo

With the release of his fourth album, Ships, earlier this year, it has been a busy few months for Sweet Baboo (AKA Stephen Black). As well as playing his own gigs and appearing at numerous festivals, he has recently supported Johnny Flynn & The Sussex Wit on their UK tour. However, despite the busy schedule, Black took some time out to answer some questions for NotAnotherRainySunday. Line-up his gloriously upbeat melodies on the stereo, and read about the origin of 'Sweet Baboo', the Welsh music scene, and his musical recommendations. 

Let's kick off with the basics - where did the name Sweet Baboo come from?
I heard it used in the Charlie Brown cartoon when I was younger and thought it would be a good name for a band. It's a term of endearment in America. I've often thought about changing it to something more manly in recent years but I think we may have been through too much together.

I've noticed you also have a version of 'If I Died...' written in Welsh. Do you notice much of a difference writing in Welsh to songwriting in English?
This is an easy one to answer. Unfortunately I find it very difficult to write in Welsh, so much so that my friend Huw Evans (a.k.a. H.Hawkline) translated the lyrics for me I'm a fluent Welsh speaker but my vocabularly is not great. Welsh is such a lyrical and romantic language that I wouldn't have done the translation justice. Huw used artistic license in the translation and did a much better job that I would ever have done.

You've stated that you're a fan of fellow Welsh band, Gorky's Zygotic Mynci, and have also worked with said band's leader, Euros Childs - how do you feel the Welsh  music scene fits into the British scene as a whole?
I'm not sure if I know much about the British scene really. The Welsh music scene must fit somewhere but I have no idea where. All I know is, to me, Wales makes the best pop music, oh and I'll extend that to the
rest of the world too. 

Both 'Let's Go Swimming Wild' and 'C'mon Let's Mosh!' have previously won BBC 6Music's weekly 'rebel playlist' competititions. How important do you think exposure on the radio is in reaching a wider audience in comparison with the internet?
Any exposure is good. If people hear you on the radio or read about you online and then come to a gig or buy an album then I can't complain.

On top of performing as Sweet Baboo you've also toured with Slow Club and Cate Le Bon in their live bands - do you prefer playing in groups or working individually? Do both have their benefits?
I think I like them equally. I suppose I put more pressure on my gigs, you know, hope that people will come, enjoy themselves, there's more to worry about but I get the same enjoyment out of playing in front of people no matter what band I play in really.

With the release of your fourth album, Ships, back in April, do you think your sound has changed greatly since your debut?
In some ways it has, it's a lot louder and, this album especially, a lot more brass heavy but I think the lyrical topics are similar and I can see similar bits and bobs running through all my albums really.

What are some bands we've probably never heard of, but that you'd recommend?
At the moment I'm mainly listening to Alex Dingley who's a singer from West Wales and the Oliver Wilde album which is out on Howling Owl records from Bristol. If you haven't heard of them then I'd recommend both.

I know you're currently in the midst of festival season. How do your festivals sets compare with the approach to your own tours? What can we be expecting when you tour in the Autumn?
We've been lucky enough to have a brass section for most of the festivals, something we're not able to do on tour so much. So festival sets have been louder and there's been a whole lot more of choreographed dance moves.

Sweet Baboo will be touring the UK in November. For more information visit www.sweetbaboo.co.uk

Introducing: Port Isla

Port Isla - there's something about the romantically dreamy name and maritime connotations which instantly gives away a clue to what their music sounds like. Reminiscent of Fleet Foxes, the soulful vocals and punchy drumbeats provide the perfect injection of summer into their richly layered songs - guitars and pianos weave in and out of each other creating a sublime ocean of sound. If you're looking for a song to soundtrack a lazy summer's day spent in the garden, Sinking Ship could just be the answer.

Murmurations - The Epstein

 

Album: Murmurations

Label: Zawinul 

The Epstein have returned with their second album, Murmurations. Although there was no official release date for the album in the UK (it was previously released in Benelux by PIAS), it has already attracted widespread praise from fans and critics for its refreshing take on country music.  Despite dramatic line-up changes over the past few years (when I first saw the band play in 2011, they were missing a rhythm section) the band has steadily been gaining support here, but also particularly in mainland Europe, where numerous festival appearances and tours have cemented them as a fond favourite.

Alongside the line-up changing, The Epstein's original country vibe has also greatly evolved over the past few years, and in Murmurations, has found a new sense of sophistication. The tracks are refined whilst still retaining a slight rock'n'roll edge, showing that the band have truly found a niche for their music.

To read more of my thoughts on 'Murmurations', head over to Artrocker's website to read my review of the album launch earlier this month.